C’mon, all you honest parents out there, you know who you are.

As horror movies go, this one is so old-fashioned it could have been made 70 years ago and no one would have known the difference.

This film is going to win lots of critical acclaim, but it will struggle to catch on in the United States.

“Real Steel”: Yes, it was nominated for an Oscar for best achievement in visual effects. And the boxing robot scenes are worth the price of admission.

In a way, it’s disingenuous to complain that this movie could have been made better. Of course it could.

Gina Carano has developed an interesting pathway to Hollywood: through being a professional fighter. And a good one. Oh, and it doesn’t hurt that she’s good-looking, in a girl-next-door, slightly hard-edged but still a little vulnerable kind of way. You might even enjoy a lunch date with her. You just wouldn’t want her after you.

It was a risk, casting an unknown in the primary role.

“The Grey” is one of those rare contemporary films that not only mention faith, but holds a significant and serious discussion about it.

Glenn Close has been trying to get this movie made for oh, about 30 years or so.

Mavis Gary is a pathetic character, and yet, somehow, we care about her. She’s self-centered, delusional, amoral, depressed, addictive and self-destructive, but she wants so desperately for the world to be as she wants it to be, rather than how it is, that we almost wish it with her.